SwitchX is available exclusively on Beeble (Cloud app). It is not
available in Beeble Studio.
- Masked Areas: Completely generated based on your prompts and reference images.
- Unmasked Areas: Retained from the original footage, but intelligently relit and restyled to blend seamlessly into the newly generated environment.
Model Versions
SwitchX ships in two versions, selectable from the Model dropdown at the top of the input panel. SwitchX 2.0 is the default and the recommended model; SwitchX 1.0 remains available and has its own dedicated page.
2160p generation and the 10-bit MOV download require a Professional or
Team plan.
Source Footage
Source quality carries into the output: compression artifacts in the input show up in the result, so feed SwitchX the highest-quality source you have.- Native ProRes ingest: upload your ProRes 422 (Proxy, LT, 422, HQ)
.movmaster directly, up to 4.5GB. No in-app trimming or playback, so trim before uploading. ProRes 4444 (embedded alpha) and variable-frame-rate exports are rejected, and Continue in Canvas is unavailable for ProRes jobs. - High-bitrate H.264 works just as well, visually near-identical to a ProRes master. The quality loss usually blamed on H.264 comes from low-bitrate exports, not the codec.
- Codec: H.264
- Bitrate: 40–60 Mbps at 1080p (scale up proportionally for 4K), or CRF 16 if your tool supports it
- Keep the original resolution and frame rate
- Export in Rec.709 (apply your display LUT first if the footage is Log)
Alpha Masks
The alpha mask tells SwitchX exactly what to generate and what to preserve. SwitchX offers four masking modes:Auto Mode
Best for: Standard background replacements, relighting a subject, and
virtual production.

Select Mode
Best for: Precision control, changing specific elements (e.g., changing
clothes while keeping the face and hands intact), and advanced inpainting.


Fill Mode
Best for: Complete scene relighting and restyling.

Upload Mode
Best for: VFX professionals using external compositing software.
Camera Tracking
SwitchX 2.0 supports camera tracking natively: the engine tracks the camera motion of your source footage and applies it to the newly generated environment, masked areas included. Control it under Advanced settings:- On (Follow Source): the default. The generated environment follows your source’s camera motion.
- Off (Ignore Source): the generated environment ignores the source’s camera motion. Use this when you want the new background to stay stable regardless of how the camera moves.
SwitchX 1.0 has no built-in tracking — it infers camera movement from the
unmasked pixels: SwitchX 1.0 § Camera
Tracking.
Truck (Lateral Tracking)
The camera travels sideways with the subjects — the generated street scrolls past with the source’s speed and parallax.Source
SwitchX 2.0
Pan (Follow)
The camera swings to follow the bike through the corner — the generated night circuit stays locked to the move even at race pace.Source
SwitchX 2.0
Push-in (Dolly)
The camera pushes forward past the foreground shelf — the generated aquarium keeps the same approach and parallax.Source
SwitchX 2.0
Fast Motion
SwitchX 2.0 holds detail through fast movement — lip sync, dance, gesture — where video models tend to smear or drift off the performance.Lip Sync
Every syllable lands after the switch from greenscreen to jungle — wardrobe and world change, the mouth doesn’t.Source
SwitchX 2.0
Dance (Full-Body Motion)
Subway-platform floorwork relit from flat fluorescents to amber and signal green — the source movement carries through unchanged.Source
SwitchX 2.0
Gesture (Fast Hands)
A crossover dribble at full speed, switched from a street court to an indoor gym — the ball and both players stay sharp.Source
SwitchX 2.0
Reference Images
The reference image is your visual blueprint. It should contain all the details you want in your final video: background, lighting, mood, and costumes. SwitchX reads this image and uses it as a guide:- Masked areas: SwitchX generates the background and content from the reference image into the masked region.
- Unmasked areas: SwitchX extracts the style and lighting from the reference image and applies it to your original footage, preserving the original pixels.

Designing the Reference Image
This is the single most important thing to get right. The gap between a good reference and a great one is the gap between an okay result and a stunning one.- Show the subject and environment together. A background-only reference can’t tell the model how to light your subject — put the person in the frame, relit the way you want.
- Pick the most representative frame (it doesn’t have to be the first), then edit it into your target look.
- Think across shots. For multi-shot work, consistency between your reference images matters as much as the beauty of each one.


Imperfect References Are Fine
Your reference image doesn’t need to perfectly match your source footage. For example, if you generate a reference with Nano Banana and the face changes, that’s fine. SwitchX understands what your original pixels are and will only bring the lighting and style from the reference, applying it on top of your actual footage.
Source

Reference Image

SwitchX Result
Prompting
Be highly specific: name the environment, lighting, and mood (e.g., “a dramatic cliff in Ireland, soft overcast lighting, highly detailed props”); vague prompts like “take me to heaven” yield poor results. If you’re struggling with art direction, leave Auto pilot on and SwitchX writes the prompt from your reference image automatically.
The Professional Workflow (Iteration)
For pixel-perfect results, do not rely solely on the initial AI-generated image:- Generate a reference image using the Create with AI tool.
- Download the generated image to your local machine.
- Refine in Photoshop or similar: adjust color grading, add props, fix details.
- Re-upload the edited image into SwitchX. The final video will strictly follow this tailored reference.
Settings & Export
Each resolution tier is a maximum cap on the shortest side: SwitchX 1.0 only caps down, while SwitchX 2.0 can also enlarge a smaller source (those options are tagged Upscale in the picker).
Iterate then Finish
SwitchX 2.0 introduces a new way to work: explore faster for less in 720p, pick your favorite, then Finish it in 4K. More than an upscale: Finish re-renders your take from the original source footage, recovering source detail to match a native 4K generation.