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SwitchX is available exclusively on Beeble (Cloud app). It is not available in Beeble Studio.
SwitchX is a professional video-to-video AI generation tool designed for filmmakers, VFX artists, and creators. Unlike standard video-to-video models that hallucinate or alter the entire frame, SwitchX uses your original footage’s pixels as direct control signals. The core principle of SwitchX is simple: Switch anything, keep what matters.
  • Masked Areas: Completely generated based on your prompts and reference images.
  • Unmasked Areas: Retained from the original footage, but intelligently relit and restyled to blend seamlessly into the newly generated environment.
To get the best results from SwitchX, master two concepts: the Alpha Mask controls what gets changed, and the Reference Image controls how it looks.

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Alpha Masks

The alpha mask tells SwitchX exactly what to generate and what to preserve. SwitchX offers four masking modes:

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Auto Mode

Best for: Standard background replacements, relighting a subject, and virtual production.
The engine automatically detects and isolates the main subject in your first frame, then propagates and tracks that mask throughout the rest of the video. No manual selection is required.

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Select Mode

Best for: Precision control, changing specific elements (e.g., changing clothes while keeping the face and hands intact), and advanced inpainting.
You manually choose exactly which parts of the frame to mask. Only the selected areas will be generated — everything else stays untouched from your original footage. Powered by an interactive AI masking tool (SAM3), click to select specific objects on the first frame. The Alpha Editor lets you fine-tune your selections:
  • Multiple Selections: Select multiple objects. For the cleanest results, add distinct parts (like a face and a hand) as separate objects rather than grouping them. - Deselect: Right-click to remove an unintended selection.
  • Invert: Invert the mask of a specific object. For example, to turn a hand into a robot arm, select the hand, click Invert, and the engine will only generate within that area.

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Fill Mode

Best for: Complete scene relighting and restyling.
This mode selects the entire frame. Use Fill when you want to keep the original scene’s geometry and composition intact but alter the overall lighting, mood, or artistic style.

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Upload Mode

Best for: VFX professionals using external compositing software.
Upload a precise alpha matte created in software like Nuke or After Effects. SwitchX reads the black-and-white alpha video pixel-by-pixel for absolute precision.

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Camera Tracking

SwitchX only sees the unmasked (foreground) region of your video. The masked area is completely hidden from the model, meaning SwitchX must infer all camera movement solely from the visible foreground pixels. This has a direct impact on camera tracking quality:
  • Where it excels: Shots where the foreground contains rich visual data to infer motion — such as a subject with complex movement, organic camera shake, or visible depth changes.
  • Where it struggles: Simple, linear camera movements (like lateral trucking/panning shots) where the isolated foreground lacks sufficient parallax cues to estimate motion accurately.
Even if your original footage contains tracking markers in the background (e.g., on a green screen), SwitchX cannot use them if those markers fall within the masked region. Once an area is masked, it becomes 100% invisible to the AI model — regardless of the tracking data present in your source footage.

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Reference Images

The reference image is your visual blueprint. It should contain all the details you want in your final video — background, lighting, mood, and costumes. SwitchX reads this image and uses it as a guide:
  • Masked areas: SwitchX generates the background and content from the reference image into the masked region.
  • Unmasked areas: SwitchX extracts the style and lighting from the reference image and applies it to your original footage, preserving the original pixels.
Source Reference Image SwitchX Result

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Imperfect References Are Fine

Your reference image doesn’t need to perfectly match your source footage. For example, if you generate a reference with Nano Banana and the face changes — that’s fine. SwitchX understands what your original pixels are and will only bring the lighting and style from the reference, applying it on top of your actual footage.

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Creating a Reference Image

You can upload any image, or use the built-in Create with AI tool. This sends your video’s first frame to our Nano Banana or Flux models to generate a matching reference.

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Prompting Guidelines

Avoid vague prompts. Prompts like “Take me to heaven” will yield poor results. AI requires precise art direction.
Be highly specific. Specify the environment, lighting, and mood — for example: “A dramatic cliff in Ireland, soft overcast lighting, highly detailed props.”
If you are struggling with art direction, use a text AI like ChatGPT to generate five detailed prompt variations based on your core concept.

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The Professional Workflow (Iteration)

For pixel-perfect results, do not rely solely on the initial AI-generated image:
  1. Generate a reference image using the Create with AI tool.
  2. Download the generated image to your local machine.
  3. Refine in Photoshop or similar — adjust color grading, add props, fix details.
  4. Re-upload the edited image into SwitchX. The final video will strictly follow this tailored reference.

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Settings & Export

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Video Prompt

Autopilot recommended. Leave the Video Prompt setting on Autopilot — the engine handles prompt engineering behind the scenes. Turn this off only if you need to manually override an unexpected result.

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Resolution and Project Specs

SwitchX will never distort your original aspect ratio or frame rate. The engine only resizes the shortest side of your video to match the chosen resolution, so you can iterate quickly without breaking your project specifications.

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Source Footage

SwitchX supports native ProRes ingest — upload your ProRes 422 (Proxy, LT, 422, HQ) .mov master directly, with no transcoding step. ProRes uploads are accepted up to 4.5GB. A few things work differently for ProRes sources:
  • No in-app trimming. To use a specific range, trim the clip before uploading — clips longer than the per-generation frame limit are rejected.
  • Still-frame preview. In-app playback isn’t supported for ProRes; the source shows a poster frame with a “ProRes” badge instead.
  • ProRes 4444 / 4444 XQ is not supported. The pipeline can’t use embedded alpha — export as ProRes 422 and, if you need your own matte, upload it separately via the Upload mask mode.
  • Constant frame rate only. Variable frame rate (VFR) ProRes exports are rejected — re-export with a constant frame rate.
  • Continue in Canvas is unavailable for jobs generated from a ProRes source.
If you’d rather transcode — for example, to use in-app trimming and playback — high-bitrate H.264 works just as well. The quality loss often attributed to H.264 typically comes from low-bitrate export settings rather than the codec itself; a high-bitrate H.264 transcode is visually near-identical to a ProRes master. Recommended transcode settings (Resolve, Compressor, or Shutter Encoder):
  • Codec: H.264
  • Bitrate: 40–60 Mbps at 1080p (scale up proportionally for 4K), or CRF 16 if your tool supports it
  • Keep the original resolution and frame rate
  • Export in Rec.709 (apply your display LUT first if the footage is Log)
The equivalent ffmpeg command:
Source quality directly affects output quality. Compression artifacts in the input carry through to the model’s output, so a high-bitrate transcode produces noticeably better results than a low-bitrate export.